RANDOM JOTTINGS


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The Whicharts is Noel Streatfield's first novel originally published in 1931.  Most of us think of this author as the writer of Ballet Shoes, White Boots etc and are unaware that she started her career writing books for adults.  When I read Saplings several years ago (published by Persephone Books) I remember finding it a bit of a surprise to find that her characters had sexual feelings and adult emotions – almost shocking after being used to the stories with children and Nanny and Garnie.   Once I got over my initial reaction I found this book to be absorbing and a marvellous portrait of the effect of the war on family life and, in particular, the children.

First thing to say about the Whicharts (so called after the phrase 'our father which art in heaven') is that the opening paragraph is a very familiar one indeed for those of us who love Ballet Shoes "The Whichart children lived in the Cromwell Road. At the end of it which is furthest away from the Brompton Road and yet sufficiently near it to be taken to look at the doll's houses in the Victoria and Albert every wet day, and if not too wet expected to "save the penny and walk"'.

The father of the three Whichart sisters is a libidinous Brigadier who seduced the young and pretty Miss Rose Howard the daughter of  a most respectable family who fell madly in love with him at the age of 22 and went to live with him and to be his mistress.  She remained devoted to the Brigadier even when he left her several years later and then kept returning with one mistress after another, all in distress and all pregnant, who left their babies with Rose and Nanny.  Sounds familiar?  Just think Sylvia Which and Garnie in Ballet Shoes and that the Brigadier is the fossil hunter Great Uncle Matthew who dumps three babies on his long suffering niece before disappearing back up the Amazon or wherever.

We have three sisters.  Maimie Whichart who is  later reincarnated as Pauline Fossil in  Ballet Shoes; Tania who is Petrova and Daisy who is Posy.  They end up learning to dance at Madame's Academy and Pauline is a moderately successful dancer and actress, Daisy is the one who has real ballet talent and Tania is only interested in being a mechanic and dreams of flying a plane one day.   It is clear that Noel Streatfield mined this book to produce her successful and much loved Ballet Shoes for her younger audience but stripped it off any hint of sexual misdemeanour and made it much more optimistic.   

Maimie goes off the rails big time learning at the age of 16 that she can use her body and beauty to hook a man and be kept by him.   She refers to herself as a tart and a good time girl and seems to have no illusions at all about her life and future.  Daisy is talented,but unlike Posy Fossil she appears in musicals and pantomime and has no interest in a serious future in the ballet world.   Tania is the same personality in both this book and Ballet Shoes, loathing her life in the theatre and wanting to escape.

The Whicharts is the dark side of Ballet Shoes.  At the close of the story the reader is left uncertain as to the future happiness of the three sisters. Maimie is obviously going to have a sell by date and not likely to find lasting contentment; Daisy is reunited with her grandparents who live in stifling suburbia and are smothering her with comforts and home life destined to distract her from her stage career which they find vaguely disreputable and Tania, who has found her mother, seems to be the one whose future is bright as she is welcomed into her home.  But we soon learn that her mother is a restless, unsatisfied person who seems to spend her life in perpetual motion travelling and is rootless with no wish to settle down.  She seizes upon Tania as her new travelling companion and whisks her off.

"I do hope you'll like travelling Tania. I want to take you about and show you the world and perhaps find you a husband"  "I'd rather have an aeroplane" exclaimed Tania horrified out of her usual reticence"   "Would You? Well could you bear to try travelling for a years first and after that you can do what you like. I think you'll find Java fun, the people are too attractive and they……"

'But Tania wasn't listening. Her mind was on the skyline where an aeroplane like some giant silver bird, was darting towards them'

I have a feeling that the three Whicharts are destined for a life in which none of them are happy and this is why I found this book so disconcerting, like finding Cinderella doesn't get the Prince after all and that the Sleeping Beauty is left asleep for ever.  It is most odd to find a book which is at once so familiar and yet so different, but it certainly is an intriguing read and I am pleased that it has been  reprinted by Margin Note Books after being unavailable for so many years.  Noel Streatfield's adult books are difficult to get hold of as I gather many of them were destroyed in the war by a warehouse fire so it is good to be able to become acquainted with her very early writing and this is going to remain on my shelves next to my battered old copy of Ballet Shoes which is now some fifty years old.

A must read for all lovers of Noel Streatfield.

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9 responses to “The Whicharts – Noel Streatfield”

  1. sakura Avatar

    Ballet Shoes and White Boots were two of my favourite books growing up. I didn’t realise she wrote books for adults until I read about Saplings, and now this. It would be interesting to see how I find the comparison with Ballet Shoes. Lovely review.

  2. Elaine Simpson-Long Avatar

    This really is a fascinating book for all Streatfield fans whether you have read Ballet Shoes or not. I find it really intriguing to see how she used the material in this very first book and recycled it as the story of the Fossil family. Obviously all the references to Maimie being a good time girl and their guardian being a kept woman were taken out. I wondered what the reaction to this part of the book was at the time of publication?
    Verity – yes I have come across some of the books she wrote under the name S Scarlett but was not impressed with them at all. Seemed to me they had been really scrambled together, at least that is my impression.
    Sarah – so glad you found me and please do continue to visit!

  3. Sarah Avatar
    Sarah

    Noel Streatfeild is a favourite of mine but I mainly know her books for children – she writes children very well I think, even given the 60+ years difference in time and attitudes her children seem very real to me. I hadn’t heard of this one – have only read Saplings of her adult novels – but being so familiar with Ballet Shoes I now have to get a copy!
    btw – came across your blog a few weeks back and am now a regular reader. Thanks!

  4. Jenny Avatar

    I am so curious to read this! I loved Ballet Shoes as a kid, and I think it would be neat to read a sort of alternate, miserable version. :p

  5. Harriet Avatar

    Fascinating! I loved Ballet Shoes too and re-read it, and some of the other childrens’ book, quite recently. I really want to read this now — extraordinary of her to recycle the material like that.

  6. Liz F Avatar
    Liz F

    Loved Ballet Shoes with a passion when I was a child although I was more of a pony-mad little girl and riding and ballet don’t really mix (a lot to do with foot position- ballet placement on a horse gets you stuck in narrow gateways!)and ‘Saplings’ kept me enthralled on a very long and trying train journey, so I will look out for this.
    Thank you for the review.

  7. Mrs.B. Avatar

    I’d love to read this though I haven’t read Ballet Shoes. I did enjoy Saplings and Streatfield’s writing and this does sound intriguing.

  8. Verity Avatar

    I was gripped by this – it was so similar to ballet shoes insome ways and so different in others. Have you come across the “light” novels she wrote under the name of Susan Scarlett – unlike her adult novels, these are more like the children’s ones, a bit less gritty, but v. enjoyable. I think 5 of them have now been republished by Greyladies.

  9. Diana Birchall Avatar

    Oh, this has been reprinted now! Great. I read it a few years ago when somebody sent me a xerox of an old edition, and found it quite disconcerting, totally lacking the usual coziness and certitude of Streatfield, but a good read just the same. She had that narrative gift that makes you compulsively want to read, plus the most delightful and natural children’s dialogue this side of Alcott. Can’t say all that is quite developed in The Whicharts, but I do rejoice that it’s available again!

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